SoHo, New York
Group Exhibition
Group Show
NicodimÁngeles Agrela, June Canedo de Souza, Æmen Ededeen, Samantha Joy Groff, Teresa Murta, Daniel Pitin "Ángeles Agrela / June Canedo de Souza / Æmen Ededéen / Samantha Joy Groff / Teresa Murta / Daniel Pitín distinctly approach gestures towards the body. Reminding us that we are composed of disparate elements: textures, edges, and irregularities that, when accumulated, form entire worlds. The exhibition ranges widely across allegorical and tangible realms, including the ethereal, the abstract, the political, and the spiritual. Together, these works affirm that the body is not a fixed form but a shifting site of meaning." —Sophie Roessler Daniel Pitín (b. 1977, Prague, Czech Republic) is a leading figure among the generation of artists to have emerged since the fall of communism in Central and Eastern Europe. He received his education from the Academy of Fine Arts, Prague, Czech Republic in 2001, and continues to live and work in Prague. Exhibitions include Ángeles Agrela / June Canedo de Souza / Æmen Ededéen / Samantha Joy Groff / Teresa Murta / Daniel Pitín, Nicodim, New York (2026); June Canedo de Souza / Stanley Edmondson / Liang Fu / Larry Madrigal / Marta Mattioli / Teresa Murta / Daniel Pitín, Nicodim, Los Angeles (2026); Memories of a Deserted Island, Nicodim, Los Angeles (2025, solo); Liang Fu, Chantal Khoury, Daniel Pitín, Nadia Waheed, Nicodim, Los Angeles (2024); The Ballad of the Children of the Czar, Galeria Nicodim, Bucharest (2024); The Newcomers Association, hunt kastner, Prague (2024, solo); Disembodied, Nicodim, Los Angeles (2024); Time Machine, Nicodim, New York (2023, solo); Galeria Nicodim, Bucharest: 10 Years, Galeria Nicodim, Bucharest (2023); Sommerkino, Czech Center, Berlin (2022, solo); A Race of Peeping Toms, Nicodim, Los Angeles (2020, solo); A Paper Tower, Galerie Rudolfinum, Prague (2019, solo); Formal Encounters, Galeria Nicodim, Bucharest (2018); Broken Windows, House of Art, České Budejovice (2018, solo); Grotto, Charim Gallery, Vienna (2018, solo);Crystal Gardens, Grimm, Amsterdam (2017, solo); The Mechanical Flowers, Nicodim, Los Angeles (2017, solo). Pitín is collected by the the Los Angeles County Museum of Art and the Knoxville Museum of Art, and his solo institutional exhibitions include Cover Story, Boulder Museum of Contemporary Art (2012); and After the Fall, Hudson Valley Center for Contemporary Art, Peekskill and the Knoxville Museum of Art, Knoxville (2011). Ángeles Agrela (b. 1966, Úbeda, Spain) has resided in Naples, La Habana, and Berlin, and currently lives and works in Granada. Her recent works seek to conceptualize the role of women within the History of Art by creating a contemporary representative view. Following this theme, the key feature of her drawings becomes the hair, which has important cultural and historical connotations within representation of the feminine. She uses the symbolic charge and communicatory capacity of hair to create an exaggerated mass that often substitutes the face or hides it completely, as a playful way to divert attention away from the face and towards how women choose to represent themselves. Exhibitions include Ángeles Agrela / June Canedo de Souza / Æmen Ededéen / Samantha Joy Groff / Teresa Murta / Daniel Pitín, Nicodim, New York (2026); The Amber of this Moment, Galeria Nicodim, Bucharest (2025); Soledad, Galería Yusto Giner, Marbella (2025, solo); The Ballad of the Children of the Czar, Galeria Nicodim, Bucharest (2024); Self-portrait as a Schoolgirl, Nicodim, New York (2024, solo); The Paradoxes of the Aura, CICA, Vancouver (2023, solo); Immaculate Heart of Margaritaville, curated by Devendra Banhart, Nicodim, Los Angeles (2023); Maternity Leave: None Of Women Born, Nicodim in collaboration with the Green Family Art Foundation, Dallas (2023); Kiaf Seul, Galería Yusto Giner (2023); Art Busan, Galería Yusto Giner (2023); Art Chicago, Galería Yusto Giner (2023); Art Basel Miami, Nicodim Gallery (2022); Le Regard, Perrotin, Dubai (2022); Fauna, Anat Ebgi, Los Angeles (2022, solo); Facial Recognition, Fabien Fryns Fine Art, Dubai (2022); Disembodied, Nicodim, Bucharest (2022); Summer Nights, Stems Gallery, Paris (2022); Around the world, WOAW Gallery, Hong Kong (2022); Fanzination, Galería Yusto Giner, Madrid (2021, solo); Art021 Shanghai, Galería Yusto Giner (2021, solo). Agrela is collected by CAC Málaga; Colección Banco de España; the National Library of Spain; the L´Oréal Collection; and many others. Teresa Murta (b. 1993, Portugal) lives and works in Berlin, Germany. Her work delves into the realms of the fantastic, the absurd and the poetic metamorphosis of the real. Intuitively, Murta weaves together elements from both the artificial and natural worlds, offering a gateway into alternate and uncanny realities that beckon to be explored. Exhibitions include Ángeles Agrela / June Canedo de Souza / Æmen Ededéen / Samantha Joy Groff / Teresa Murta / Daniel Pitín, Nicodim, New York (2026); June Canedo de Souza / Stanley Edmondson / Liang Fu / Larry Madrigal / Marta Mattioli / Teresa Murta / Daniel Pitín, Nicodim, Los Angeles (2026); Lucid Daydream - Panorama of Contemporary Portuguese Art, Porto Municipal Gallery, Porto (2025); The Amber of this Moment, Galeria Nicodim, Bucharest (2025); That's Not All, Folks, Pond Society, Shanghai (2025); To Meet on the River Bend, Nicodim Annex, Los Angeles (2025, solo); The Ballad of the Children of the Czar, Galeria Nicodim, Bucharest (2024); One Second Plan, Bruno Múrias Gallery, Lisboa (2024, solo); Purple Haze, But Better Together, Tabula Rasa Gallery, London (2023, solo); Aftermath, Mazzoli Gallery, Berlin (2023); Fishnet, Instituto Camões, Berlin (2022, solo); (0/1) O Zero e o Um, Natural History and Science Museum, Lisbon (2022); Que te seja leve o peso das estrelas, Centro de Arte Contemporânea de Coimbra, Coimbra (2022); Airbag, Galeria Aldama Fabre, Bilbao (2021, solo); Whistle, Whistle, Galeria Nave, Lisbon (2021, solo), among others.