On the Possibility of Salvage

The Paula Cooper Gallery is delighted to announce Liz Glynn’s first one-person exhibition at the gallery and in New York. Glynn will present a group of new works, which will be on view at 197 Tenth Avenue beginning January 11, 2014. For this exhibition, Glynn weaves together themes of salvage and piracy, centering on a room-sized sculpture of a ship’s hull in partial wreckage. Alluding to trade and trafficking, the shipwreck allows Glynn to tease out the stories of a motley collection of objects smuggled, seized, or recovered, with connections to illicit cargo and contraband. The boat hull takes its form from a British smuggling cutter used to evade authorities during the height of 18th century Colonial trade. This body of work was made against the backdrop of a rise in piracy off the shores of Somalia, where ransoms take the form of abstract currency, rather than the physical stores of wealth seized in earlier times. The gallery's front room, (staged as a ‘library of loss’, or a custom’s storage room caught in medias res), presents paper mache replicas of objects, some on top of or in wooden boxes, as if just seized by the authorities. The replicas range from Ming dynasty porcelain plates and ancient bronze busts to bullet-ridden oars, and stolen garments. In chronicling these stories of property as loot, Glynn invites us to reflect on the social and historical forces that objects, and often artworks, are caught in, but also on larger ideas of time, transitoriness and transgression. Glynn will have a one-person exhibition at the Corcoran Gallery of Art in Washington DC in the fall of 2014. The artist has an ongoing cycle of performances titled [de]-lusions of Grandeur taking place at the Los Angeles County Museum of Art. Recently, Glynn presented large-scale projects for Performa 11 in New York and the migrating public art project, Station to Station. The artist's works have also been included in a number of important museum exhibitions: most recently, the Hammer Museum’s Made in LA biennial (2012), for which she was named a Mohn Award finalist; J. Paul Getty Museum's Pacific Standard Time (2013); and the New Museum's The Generational: Younger than Jesus (2009), curated by Lauren Cornell, Massimiliano Gioni, and Laura Hoptman. Glynn was born in Boston, MA in 1981. She holds a BA in Visual and Environmental Studies from Harvard University and received an MFA from CalArts. She lives and works in Los Angeles. For more information, please contact the gallery: (212) 255-1105; info@paulacoopergallery.com

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197 10th Ave

Chelsea, NY