East, London
Alexis Kyle Mitchell
The Goal of Our Health
PeerPeer is pleased to present The Goal of Our Health, Alexis Kyle Mitchell’s first solo exhibition in the UK. The New York and Glasgow-based artist works across the mediums of moving image, performance and experimental collaboration. This exhibition encompasses all three as it deepens Mitchell’s interest in the politics of space, place, and embodiment. The exhibition comprises two works: Mitchell’s hour-long film The Treasury of Human Inheritance (2024) in a new immersive installation; and Plates (2025), a new series of short 16mm black and white film ‘screen tests’. The Goal of Our Health brings these works into dialogue to interrogate how idealised notions of health, movement and ability influence science, technology and the body. The work attends to the ideological origins of the eugenics movement, the shadows of which we continue to live with today. The Treasury of Human Inheritance comprises hand-processed celluloid film developed using genetic bodily materials – the recipe of which is included as part of the film’s narrative. The footage shows abandoned architectures teeming with new growth, domestic video and audio documentation of Mitchell’s family, and somatic and spiritual rituals for life after death. Reflecting on one family's experience of living with and alongside disease and disability, The Treasury seeks out different forms of kinship and belonging. Central to the cinematic focus of The Treasury is an immersive analogue synthesiser soundtrack Mitchell created in collaboration with filmmaker and musician Luke Fowler and composer and musician Richy Carey. Resonating throughout the gallery, the 5.1 soundtrack mimics the looping patterns of myotonic dystrophy, a genetic condition that is both described in and structures the content of the film. The exhibition’s title is drawn from the name of a 1920s photographic publication by Dora Menzler, a German gymnast, whose book depicts the ‘ideal’ body in motion. Mitchell reconstructs these poses in Plates, while also referencing the artist’s ongoing interest in photographer Eadweard Muybridge’s plates of animal locomotion – in particular, his documentation of disabled people moving from the 1880s. Each work lasts the duration of one manual hand-crank of the camera (approx. 30 seconds), while the hand-processed celluloid film is developed using coffee – bringing questions of productivity, labour, and extraction into the material itself. Throughout the exhibition, Mitchell explores the fragility and weight of history and inheritance. By working with the delicate materiality of hand-processed celluloid film, developed with genetic and other natural materials, and combined with the mechanisms of repetition and motion, the works in this exhibition wrestle with the aesthetics of authoritarianism in order to undermine the power of their form. The Goal of Our Health is part of Peer’s 2025 Programme, which addresses themes of inheritance, memory, health and home, and is accompanied by a series of events as part of our Talks, Events and Workshops programme. Screening times: The Treasury of Human Inheritance is 60 minutes long and screenings at Peer Gallery begin on the hour from 12pm, with the last screening at 5pm. The Goal of Our Health is an exhibition produced by Peer in collaboration with Site Gallery, Sheffield and is conceived in collaboration with Mason Leaver-Yap. The exhibition is supported by the Alexis Kyle Mitchell Supporters Circle and Canada Council for the Arts. With thanks to Spike Island Exhibition Services, Bristol and Sophie Crichton-Stuart. The Treasury of Human Inheritance (2024) is a co-commission by Glasgow International and The Vega Foundation. Alexis Kyle Mitchell is based between New York and Glasgow. Exhibitions include Glasgow International, Glasgow; GTA24 MOCA Triennial, Toronto; Henry Art Gallery, Seattle; Kunstverein Munich; and Mercer Union, Toronto; screenings at International Film Festival Rotterdam; Art of the Real, New York; and IndieLisboa International Film Festival, Lisbon; in performances at MOCAToronto; University of Toronto and the New School, New York. Residencies include Cove Park (Scotland); MacDowell (USA); Sommerakademie Paul Klee (Switzerland); and Akademie Schloss Solitude (Germany). Mitchell was a postdoctoral fellow at New York University in the Center for Disability Studies and is currently a visiting scholar in the Center for the Study of Gender and Sexuality.