Maximilian Rödel — Verdichtung — image 1 of 2
Maximilian Rödel — Verdichtung — image 2 of 2

Tiergarten, Berlin

Maximilian Rödel

Verdichtung

Tanya Leighton

3 July – 22 August 2026

Tanya Leighton is pleased to present Verdichtung, Maximilian Rödel's first solo exhibition with the gallery. The exhibition brings together new paintings from Rödel's ongoing series ‘Bridges' and ‘Rift', which were recently shown at the Indigo Museum in Ahmedabad, India. In these works, Rödel continues his long-standing investigation into the material and perceptual conditions of painting. At the centre of his practice lies not the image as a vehicle for representation, but colour itself—its density, spatial presence, and capacity to hold and register time. Rödel liberates colour from its traditional function as a means of depiction, making it the primary subject of the work. Situated at the intersection of abstraction and perception, his large-scale paintings open up pictorial spaces that resist fixed interpretation. What initially appears as a monochromatic field gradually unfolds into a complex constellation of subtly modulated layers of colour, shifting light effects, and atmospheric transitions. The canvas becomes an open field of perception whose boundaries extend beyond the picture plane. The works emerge through a slow process of layering and revision. Pigments are applied, condensed, reopened, and brought into new relationships with one another. The surface does not present itself as a finished state, but rather as the visible result of countless gestures, corrections, and accumulations. Each layer retains the memory of the one before it without ever fully revealing it. This complexity extends beyond the painted surface itself. The sides of the canvases form an integral part of the viewing experience, exposing the accumulated strata of colour and making the construction of the paintings visible as a spatial process. As the viewer moves around the work, chromatic effects and perceptions of depth continually shift. The paintings resist any singular vantage point, unfolding instead through an ongoing interplay of movement, light, and perception. Maximilian Rödel (b. 1984, Braunschweig, Germany) lives and works in Berlin. Recent solo exhibitions include ‘An Ocean in a Drop’, Indigo Art Museum, Ahmedabad, India (2026); ‘Bridges’, Galerie Rüdiger Schöttle, Munich (2025); ‘Arcane Dust’, Carvalho Park, New York (2024); ‘Radiations’, Galerie Rüdiger Schöttle, Munich (2023); ‘Story Of The Forgotten Lights’, Kunstverein Arnsberg, and ‘Phantom Skies’, Carvalho Park, New York (both 2022); and ‘Celestial Artefacts’, NAK Neuer Aachener Kunstverein, Aachen (2021). Selected group exhibitions include Galerie du Monde, Hong Kong; Kunstverein Arnsberg; Zeller van Almsick, Vienna; NAK Neuer Aachener Kunstverein, Aachen; Kunstverein Hannover; and the Indianapolis Museum of Contemporary Art (IMOCA), Indianapolis.

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