Little Italy, New York
Group Exhibition
The Double
Page (NYC) & Dracula's RevengeHanna Hur Nora Kapfer B. Ingrid Olson "One should rather seek to pass through the infra thin interval separating 2 'identicals' than to agreeably accept the verbal generalisation which draws the semblance of 2 twins and 'two drops of water'" —Marcel Duchamp The show title 'doubles' James Meyer’s "The Double: Identity and Difference in Art since 1900," which took place at the National Gallery of Art in Washington, DC in 2022. Hanna Hur (b. 1985, Toronto) lives and works in New York. Recent solo exhibitions include Antenna Space, Shanghai (2026); Sweetwater, Berlin (2025); Doosan Art Center, Seoul (2024); Dracula’s Revenge, New York (2024), and Kristina Kite, Los Angeles (2023, 2021). Hur was included in Made in L.A. 2025 at the Hammer Museum, and has been featured in institutional exhibitions at CAPC Musée d’art contemporain de Bordeaux; Aspen Art Museum; and the Institute of Contemporary Art, Los Angeles. Her work is held in the permanent collections of The Museum of Modern Art, New York; The Hammer Museum, Los Angeles; and The Museum of Contemporary Art, Los Angeles. Nora Kapfer (b. 1984, Germany) lives and works in Berlin. Recent solo exhibitions include Edouard Montassut, Paris (2024, 2021); Cento Gallery, Glasgow (2023, with Tonio Kröner); Kunsthalle Friart, Fribourg (2022); Galerie Lars Friedrich, Berlin (2020, 2018); and WIELS Contemporary Art Center, Brussels (2017). Kapfer has been featured in institutional exhibitions at Kölnischer Kunstverein, Cologne; Bonner Kunstverein, Bonn; Kunstverein München, Munich; Bundeskunsthalle, Bonn; Kunstverein Nürnberg, Nuremberg; Kunsthalle Friart, Fribourg; and WIELS Contemporary Art Center, Brussels. Her work is held in the permanent collections of the Academy of Fine Arts, Vienna; Contemporary Art of the Federal Republic of Germany, Bonn; and Pier Arts Centre, Orkney. B. Ingrid Olson (b. 1987, Denver) lives and works in Chicago. Recent solo exhibitions include Corbett vs. Dempsey, Chicago (2026); Midway Contemporary, Minneapolis (2025); Kunstverein Braunschweig (2025); Croy Nielsen, Vienna (2025); XYZcollective, Tokyo (2025); fluent, Santander (2023); i8, Reykjavik (2023); Carpenter Center for the Visual Arts, Cambridge (2022); Secession, Vienna (2022); and Buffalo AKG Art Museum (2018). Olson was included in the 2024 Whitney Biennial, and has been featured in institutional exhibitions at Kunsthalle Friart Fribour; Chicago Cultural Center; Museum of Contemporary Art, Chicago; The Rose Art Museum, Waltham; Institute of Contemporary Art, Los Angeles; Aspen Art Museum; and the Museum of Modern Art, New York. Her work is held in the permanent collections of Buffalo AKG Art Museum; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; The Museum of Contemporary Art, Chicago; the Museum of Modern Art, New York; Rose Art Museum, Waltham; Smith College Museum of Art, Northampton; and Yale Art Gallery, New Haven.