Mayfair, New York
Manuel Mathieu
Bury Your Masters
Pilar Corrias"Bury Your Masters In the name of our mother As the key I swallowed travelled deep into my spine it unravelled the threads that wove my being Through the long path it touched my curse – Skip, skip, skip Sweat turns to oceans Where lost spirits swim Ohhh father, one word and our bones are yours One word and the horizon becomes the thread – – that stitches us all back together. We embraced our fate, Feeding the earth with the silken flesh Of our mortal souls. Emanci (t) ation (n) (p) In the name of our sons My black nipples hang to the ground in search of roots to escape Freedom abandoned us for rage That shiver comes with shame I dig deep, yearning to touch your core, Yet the undercurrent of self-preservation Drifts me apart. Consumed where all could see I wear my shame like a second skin. Just silence where a soul once lived. My courage wears the veil of a femme de joie Nowhere to hide I barter parts of myself for hope, That crumble like ash in the wind. Come undone by a genocide of stars. Oh fist of dignity, enter my flesh... Choose my heart once again Lace (t) ation (r) (n) In the name of the holy spirit The devil sucks me like ice drip by drip, cut by cut We become one Peri-neum My convictions disappear in my reflection Ohhh white s(k)ins Don't forget the weight of your sins As the skeletons of your past become your altar On your knees, you will become slaves Serving the empty black hole that once held all your certainties 4 times you will die before finding peace 4 times you will scream before finding a voice 4 times you will birth before finding life 4 times you will disappear before finding a gaze" Pilar Corrias is pleased to present Bury Your Masters, Manuel Mathieu’s second solo exhibition with the gallery. Featuring new paintings and sculptural works, Mathieu excavates inherited legacies (familial, political and spiritual) to question and interrogate their authority in a world where empathy seems to have vanished. Bury Your Masters combines personal and historical reckoning with rupture and rebirth through a play with diverse media and materiality, envisioning a world that is both sacred and unsettled; where remnants of the past continue and persist. Mathieu harnesses the power of abstraction to create an installation that shifts from two to three dimensions, unfolding as an immersive ceremony of confronting truths. Through his material enquiries, Mathieu unmasks the fight for dignity and self-preservation in a world where a collective and equitable experience of reality seems impossible. Manuel Mathieu (b. 1986 Port-au-Prince, Haiti) is a multidisciplinary artist, working with painting, drawing, ceramics and installation, investigating themes of historical violence, erasure and cultural approaches to physicality, nature and spiritual legacy. His interests are partially informed by his upbringing in Haiti and his experience emigrating to Montréal at the age of nineteen. Freely operating in between and borrowing from numerous historical influences and traditions, Mathieu aims to find meaning through a spiritual or asemic mode of apparition; where the active space of abstraction encourages a transitory state that challenges our engrained expectations. A solo exhibition by Mathieu will open at the Phi Foundation, Montreal in October 2025. His award-winning short film, Pendulum, is currently on view at Saint-Louis Art Museum (February– November 2025). Recent solo exhibitions include: World Discovered Under Other Skies, Museum of Contemporary Art North Miami and The End of Figuration, De La Warr Pavilion, Bexhill (both 2024).