East, London
Antony Cairns
MaViCa CTY
ZéruìBeneath the flickering glow of vintage screens, a city emerges—fragmented, recursive, and alive with the hum of forgotten technologies. Through the lens of the Sony MaViCa FD200, a relic of the digital dawn, the urban night is transformed into something both haunting and electric. These are not places we know but places we’ve dreamed: cityscapes that dissolve into light and shadow, their forms abstracted into the kind of fractured visions that J.G. Ballard might have conjured—a realm where concrete and circuitry merge, and the city itself becomes an organism, feeding on its own endless reflections.